Prose, paperback, 108 pages, from Dostoyevsky Wannabe.
"I'm besotted with this beguiling, hilarious, rollocking, language-metamorphosing novel. The future of the queer avant-garde is safe with Isabel Waidner."
Gaudy Bauble stages a glittering world populated by Gilbert & George-like lesbians, GoldSeXUal StatuEttes, anti-drag kings, maverick detectives, a transgender army equipped with question-mark-shaped helmets, and pets who have dyke written all over them. Everyone interferes with the plot. No one is in control of the plot. Surprises happen as a matter of course: A fauxresearch process produces actual results. A digital experiment goes viral. Hundreds of lipstick marks requicken a dying body. And the Deadwood-to-Dynamo Audience Prize goes to whoever turns deadestwood into dynamost. Gaudy Bauble stages what happens when the disenfranchised are calling the shots. Riff-raff are running the show and they are making a difference.
Isabel Waidner is a writer and cultural theorist. She is the author of three books of innovative fiction, most recently Gaudy Bauble (Dostoyevsky Wannabe, 2017), which is currently longlisted for the Republic of Consciousness Prize for "hardcore literary fiction and gorgeous prose". Her articles and short fictions have appeared or are forthcoming in journals including 3:AM, Berfrois, Configurations, The Happy Hypocrite, The Quietus and Minor Literature[s]. She is also the editor of Liberating the Canon: An Anthology of Innovative Writing (Dostoyevsky Wannabe, 2018) which explores the relationship between identity, intersectionality and innovation in literature. As part of the indie band Klang, Waidner released records on UK labels Rough Trade (2003) and Blast First (2004). She is a lecturer in English and Creative Writing at Roehampton University, London, UK.